Ruth Vendla Marie Moll

  • By Gretchen Small
  • 24 Mar, 2021
March 24, 2021
Women’s History Month can be traced back to 1911 and the first International Women’s Day, but it wasn’t until the 1980s that US Presidents began designating the month of March as Women’s History Month. In studying the many women who played an important part in Deere Homes history, there are many I could choose to feature. You might be surprised that I am not choosing a Deere family member. Instead I have decided to do a 2-part series on Ruth Moll.

Many familiar with the early years of Butterworth Center remember Ruth as a central fixture. She was Director of Butterworth Center from 1956 until her retirement in 1990, at the age of 93. For this month, we are going to go back to the beginning and learn about Ruth’s childhood and how she became a staff member in the household of William and Katherine Butterworth.
Ruth Moll 1897 (1988.159.1)
Ruth Vendla Marie was born on January 22, 1897, to Frank Isaac Moll and Johanna Elizabeth Alice Lindquist. Sadly, her father died February 26, 1897, when Ruth was just 5 weeks old. The Rock Island Argus, on February 27, states that he accidently fell out a third floor opening in a Deere & Co. warehouse, breaking his neck and sustaining severe head injuries. Fellow workers found him after they had stopped work for the day.
The Moll Daughters circa 1898 (1998.160.1)
Johanna was left to raise four daughters named Edna, Nora, Edith, and Ruth. She took in roomers at their home, 725 14th Street, Moline, to support the family. The family was lifelong members of First Lutheran Church, in Moline.
Ruth 1911, Moline High School student (1998.161.1)
At 5’10”, Ruth was active on the interclass basketball team. She served as Captain to the Junior and Senior teams. In 1913 and 1914, Ruth’s class won the Interclass Tournament Championship. Besides being active in basketball, Ruth was also on the honor roll. I especially enjoy the words listed in the MHS 1914 yearbook about Ruth, “A daughter of the gods, divinely tall and most fair.”
Junior Champions – Ruth standing in back row on far left. Look how she towers over her classmates.
Senior Champions – Ruth in Center
Ruth had dreams of becoming a history teacher. After graduation she headed off to Macomb, IL, to study at Western Illinois University. At the end of her first year, Ruth came home to find work. Her mother was ill, and she needed to help her family and hopefully earn money to eventually go back to WIU and finish her degree. Her life though was about to change forever, sending her on a very different path.

Ruth told me many years ago about Lyla Meinken, who worked for the Butterworths. In 1916, Mrs. Butterworth asked Lyla to become her personal maid. She declined as she was leaving Hillcrest to get married. Mrs. Butterworth than asked another employee, Millie Eldean to take the position, but she was also to be married in 1916. Ruth’s sister Nora, who worked for the Wiman family, suggested Ruth for the job. Ruth hoped to return to Macomb in the fall but agreed to take the job for the summer. I can still remember Ruth telling me that she went to work at the Butterworth home and within a week, Mrs. Butterworth said, “Ruth, pack your bags. We are going to Cuba.” And Ruth said to me, “I never left.” Here was a young lady, age 19, who had probably never traveled farther than Macomb, IL, from her home in Moline. How exciting this must have been to her. This was just the start of a fascinating life of travel and experiences. I especially enjoy the photograph below taken of Ruth on a beach during travels with William and Katherine Butterworth. Don’t be alarmed by the photograph as it appears Ruth doesn’t have a right arm. Just an exposure problem.
Ruth in grass skirt c1917-25 (1998.162.1)
Another favorite story that Ruth shared was from her first trip to Cuba. Ruth said that Mr. Butterworth was always concerned about the safety of his staff on trips. If he didn’t feel the hotel room assigned to staff was secure enough, he would have the hotel upgrade the room. On this trip Ruth experienced this firsthand. Mr. Butterworth did not feel the door to Ruth’s room provided enough security.

It was this same trip that Ruth was just learning the ropes for traveling with the couple. One task she was assigned was handling Mrs. Butterworth’s traveling jewelry case. When they went to check out of a hotel, Mr. Butterworth pulled her aside and handed her the jewelry case Ruth had forgotten. He made it clear this was her responsibility but not in a harsh manner. Ruth always remembered this and referenced this as describing what a kind and wonderful man William Butterworth was.

In the few years that I knew Ruth, she shared many wonderful stories about life at Hillcrest. She shared many stories about how much she treasured Katherine and William Butterworth. In some ways, Ruth became a daughter to them. Ruth told me that Mrs. Butterworth said if Ruth married, she wanted her to have the wedding at Hillcrest. Ruth never did marry but instead traveled the world with the Butterworths. From pictures and Ruth’s stories, there were men who came courting. I think Ruth was dedicated to the Butterworths and after Mr. Butterworth’s death in 1936, she became even closer to Mrs. Butterworth.

Life at Hillcrest shows a very close-knit staff. I think this is representative of Mr. & Mrs. Butterworth truly caring for their staff. Ruth remembered fondly many of the staff from her year’s in the home. Many pictures show their comradery.
Hillcrest staff and friends Halloween Party circa 1917-20 (2002.10.1) Ruth seated on floor third from left
Hillcrest staff and friends 1917 (2002.31.1) Ruth on right
Ella Swanson (left) and Ruth (right) 1917 (1993.58.1)
Join me next month when we look at the many trips Ruth took with the Butterworths and the stories she shared. If you have a story of your memories of Ruth, please share them in the comment section.
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If you have not watched any of our YouTube videos at our channel Deere Family Homes, we encourage you to check out the April 2022 video. The video features the story of one painting hanging in the Deere-Wiman House. The painting’s artist is Alexander Harmer.

We are lucky to have four paintings in our collection that were created by Harmer. It made sense for us to learn more about Harmer and see if we could determine why we have so many paintings from one artist. I love all four pieces and wanted to know more about the artist and determine if there was a connection to the family. Three of the paintings hang in the Deere-Wiman House and one at Butterworth Center. So, it was not just one family member that took an interest in his work.

We know that William and Anna Wiman moved to Santa Barbara in the 1890s. Then about 1906-07, William and his sons moved back to Moline following Anna’s death. The Santa Barbara house was still owned by the family, and by 1914, Katherine and William Butterworth began to use the house. In addition to the house in Santa Barbara, the Butterworths also owned a residence in the San Marcos Pass area. Mrs. Butterworth continued to spend part of the winter in Santa Barbara until her death in 1953. We also know that Charles Deere Wiman and his family had a home in the area, as early as the 1920s.

Did any of the family know Alexander Harmer? We wish we knew. It is possible since Harmer’s life in Santa Barbara does overlap with the Butterworth and Wiman families. Or maybe the family did not know Harmer but was drawn to his art and purchased pieces through art dealers.

Alexander Francis Harmer was born in 1856, in Newark, New Jersey. One source I read said that he sold his first work at the age of 11 for $2. Then at the age of 16, he lied about his age and joined the United States Army. He was stationed in California, which I think is the time period his artistic interests changed. He turned towards painting and illustrating the Apache Nation. The year would have been 1872, and the US Army would have had a large presence in the West with the enforcement of federal Indian policy (which consisted of allotment of land and assimilation.)

After just one year, Harmer asked for a discharge and left the military. He worked as a photographer’s assistant until he was able to enroll in art school. He studied art under Thomas Eakins and Thomas Anshutz at the Pennsylvania Academy of Fine Art. In 1881, he re-enlisted in the Army and headed to his assignment at Fort Apache, Arizona. Harmer probably saw the Army as a cheap way of traveling West to continue his interest in the American West and the Apache Indians. During this enlistment, he was able to serve in an Army division assigned to pursue Geronimo. His studies of Indian life created an invaluable record. Harmer then returned to the academy in Pennsylvania where he turned his sketches of the Apache Nation into illustrations for Harper’s Weekly.

In 1891, Harmer returned to California, and in 1893, he married Felicidad Abadie. The Abadie family was one of the pioneering California families. The couple settled in Santa Barbara, which led to Harmer being remembered as “Southern California’s first great painter of the 19th Century." At this time, his work revolved around a series of paintings of the Old California missions under Mexican rule. They resided on De La Guerra Plaza, which included the Adabie family home. From 1908 through the 1920s, Harmer established the first art colony on the West coast. Studios were added to the Spanish-Colonial adobe home of the Harmers, where many up and coming artists worked.
Alexander Harmer died on January 10, 1925, supposedly while admiring the sunset from his backyard. This was just six months before the Santa Barbara earthquake, which left the Harmers' adobes in ruins.

All four paintings are signed Alex. F. Harmer, but only two are dated. Below are photographs of the four paintings in the collection.
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